Monday, 25 May 2009
Stephen Wiltshire: The Human Camera
Thursday, 30 April 2009
Photo Final
Sunday, 26 April 2009
Artist with ear implanted into his arm!
The Cypriot-born eccentric Stelios Arcadious spent 10 years searching for a surgeon willing to perform the controversial operation. Artist Stelios Arcadiou has had the ear created in a lab from cells and implanted into his skin
He got his wish after working as a Research Fellow at Nottingham Trent University's Digital Research Unit. The ear was grown in a lab from cells and implanted into the 61-year-olds left forearm in 2006.
Mr Arcadious said he thought art "should be more than simply illustrating ideas." Once the ear has fully developed he hopes to get a microphone implanted as well. The performance artist has become a living exhibit and is planing to install tiny transmitters so people can hear the sounds his arm-ear is picking up. "I hope to have a tiny microphone implanted to it that will connect with a bluetooth transmitter; that way you can listen to what my ear is hearing."
Saturday, 18 April 2009
Wayhey!!
Thanks again xx
red and dead
good pics x x x
Wednesday, 15 April 2009
Yay!
Sarah
Sunday, 22 March 2009
Public art commission £7300
Artist Brief:
City of York Council is seeking to commission an artist to design and deliver permanent site specific art work/s to improve the visual appearance and public use of the grassed area at the junction of Scarcroft Rd / Bishopthorpe Rd, York.
The works will form a new landmark, reflecting the area and engendering a sense of place and pride locally.
The artist will work with local communities, engaging people in the design process to ensure the work is accessible and appropriate.
1st April 12.00pm: Deadline for expressions of interest
3rd April: shortlisting artists
20th April 3.30 – 5.30: On site consultation including shortlisted artists
18th May: Confirmation of contract
Oct 2009: Completion of work
If you would like to be considered for this commission please submit:
• Up to two A3 sheets showing examples of your previous work as relevant to this project.
A disc with up to 5 images of your previous work + 100 words briefly describing your work and how you would approach this commission. (The above information from short-listed artists will be shown to community groups for comments.)
• Two references or testimonials from previous work
• Your CV and artist’s statement.
To Emily Harvey, Arts and Culture, City of York Council, Mill House, North St, York YO1 6JD.
Email: Emily.Harvey@york.gov.uk or Kristina.Davey@york.gov.uk
Background information
Micklegate Ward Committee wishes to improve the appearance of the grassed area of land at the junction of Scarcroft Road and Bishopthorpe Road, adjacent to the perimeter of Bishopthorpe Road Car Park.
This is a prominent public space, with a high footfall, where people gather and meet. The final scheme will include consideration of seating, safety and maintenance and will be effective all year round both in daylight and after dark.
Local community groups will be involved in the initial selection of an artist to deliver these improvements.
A steering group including local councillors, CYC officers and community representatives will oversee the project.
The role of the artist
The artist will be committed to engaging local groups such as schools and residents associations through workshops and/or demonstrations, and be able to reflect this involvement within the production of their own work. A timetable of community contact time will be negotiated between the artist and the steering group.
The artist will be expected to work up designs and models for comment by the steering group and relevant CYC officers. The artist will work with the steering group to seek the relevant approvals and ensure the scheme is appropriate and deliverable. Evidence of current CRB clearance, public liability insurance and self-employed status will be required.
The artist will have access to their own work base, tools and equipment.
The fixed fee of £7300 includes
• Research and design of the scheme.
• All materials
• Attendance at agreed planning meetings, and liaison with project partners.
• Co-ordination and delivery of community activities relating to the design process.
• Fabrication and installation of work.
The artist will be contracted with the City of York Council through Arts Action York.
Plan of site:
Photographs of the site:
Additional information and constraints:
• The site is at the junction of Scarcroft Road and Bishopthorpe Road, adjacent to two busy roads.
• The site is just outside a conservation area.
• The space to used includes the two main green areas and seating indicated on the plan.
• Trees are valuable, particularly a mature lime tree, the root system of which is likely to spread over most of the open space there. Consultation with specific CYC departments will need to be undertaken before any ground works are planned.
• A pyracantha hedge will be planted along the wall running from the hairdressers round to the car park.
• There is electricity to the site.
• Water, mains cables, gas, signal cables run underneath the footpaths, which must remain in place.
• There are no height restrictions for the site, although the trees may well restrict the height of any installations. Final proposals must be agreed with CYC officers.
• The view of the road junction should not be impeded in any way.
Saturday, 21 March 2009
Google Street View
Friday, 20 March 2009
hey,
I am becoming increasingly interested in the idea of intervening into routine and the mundane things we do everyday. I want to do this in some quiet way that people might notice or might not.
Im thinking this would work best with public transport...and that i want to leave [something] on buses and trains for people to come across and perhaps respond to.
Thursday, 19 March 2009
Boys Art # 2 Nagasaki 2003
Joyce Kozloff
Jodhpur Blue 1996.
Section 29 x 42.7 cm
Wednesday, 18 March 2009
Dekochari
I have been looking at the flow of traffic (or lack of) within york but also outside of york, and thinking about the methods we use to get from A to B. It seems to me the best and almost definitely fastest way to do this in york which essentially has one road through it is on a bike, avoiding the constant traffic jam that is york city centre. I then discovered the craze of dekochari within japan (deko - decoration, chari- bike), which is a very literal link between the bike and art. It comes from dekotora which are Japans celebrated art trucks, and dekochari is basically for dekotora enthusiasts who are too young to drive. They instead set about making there bicycle look as much like a truck as possible, these people are almost definitely crazy but I admire them for it.
York Minster Webcam
Monday, 16 March 2009
Cildo Meireles
Physical Art: Cords / 30KM Extended Line 1969
Industrial cord, map wooden box 60x40x8cm.
From the ‘Geographical Mutations’ series
Sunday, 15 March 2009
Mapping me!
Thursday, 12 March 2009
“If you want to know something you should ...
George Brecht & Robert Filliou, cited in Nieslony, Boris (date unknown) Art Of "Begegnung". Available from http://www.asa.de/magazine/iss3/15boris.htm#1 (accessed 12 March 2009)
Arrange a dialogue with “somebody who knows something” which could be helpful in developing your work. You should think of finding out something that is not yet evident from either the deriving/, mapping or public records brief. Interview them, show them your maps, explain your project, and discuss your ideas for your project with them. Listen to their responses and allow this to shape your developing ideas about art in context. Document this dialogue in a way of your own choosing and present your research at one of the next two sessions.
"The time for art is over. The point now is to realise art, to really create on every level of life..." (Situationist International, 1964, p3)
'The site is not simply a geographical location or architectual setting, but a network of social relations, a community, and the artist and his sponsors envision the artwork as an intergral extension of the community rather than an intrusive contribution from elsewhere"
(Miwon Kwon, One Place After Another, 2002, p6)
i think both texts were in our readers from last semester if you want to have a look.
Tuesday, 10 March 2009
Just Wondering.....
Thank you!
Sarah
x
Monday, 9 March 2009
Chris Drury
SurplusBargains (andrew beck)
The Wooster Collective
In response to the data brief i have began to look at the CCTV presence in York. I acquired the locations of all 59 CCTV cameras in York and have plotted the majority of them on a map of the city. The presence of CCTV in the city center obviously suggests which areas need to be monitored in this way. I have tried to retrieve some footage through the council (they provided me with the locations and other helpful information also), however the project isn't really an appropriate reason for this info. I am continuing to develop ideas and collect information regarding surveillance in York.
Thursday, 5 March 2009
As one might expect, the rock zone (red) separates metal (gray) and pop (green). Reggae and ska (pink) exist in a little data peninsula equidistant from pop and rock. You can search for bands on the map to see where they fall, or enter any Last.fm user name to see where their favorite artists are on the map.
City without clothes
Jana Morgan
Describes her work as exploring memory and other mental and linguistic constructs as they mediate the body's interaction with place.
Los Angeles Aerial # 3
Psychogeography of the crazy quilt (in the fashion of Jackson Pollock) 3' x 4' piece is a collage of vintage fabrics, men's neckties and painted / dyed fabrics, machine and hand stitching.
Morgan describes this piece as, "a work-in-progress, a sort of map to nowhere (as in utopia)," one from a series of aerial-psychogeography studies. She describes it as personal, in that it's potentially everywhere she ever imagined living, but has never visited. It articulates possibilities and parallel lives that may yet be lived.
Note the link in title to, Guy Debord's 1957 map, 'The Naked City'.
I love this work.
posted by-Mary Allardyce
quiled map
Psychogeography of the crazy quilt
(in the fashion of Jackson Pollock)
mixed fibers and fabric on canvas 3' x 4'
Jana Morgan a visual artist who works conceptually through fiber, paint and language, also video, photography to construct personal narratives, exploring memory and other mental and linguistic constructs as they mediate the body's interaction with place.
I love this work.
Posted by-Mary Allardyce
I have recently been reading Chris Drury's book, Silent Spaces. He is a land artist creating works in site specific spaces. His body of work includes ephemeral assemblies of natural materials, in the mode associated with Andy Goldsworthy, as well as more-permanent landscape art, works on paper, and indoor installations.
Some of Drury's lasting works are "cloud chambers", darkened caverns constructed of local rock, turf, or other materials. Each chamber has a hole in the roof which serves as a pinhole camera; viewers may enter the chamber and observe the image of the sky and clouds projected onto the walls and floor. On paper, he uses a variety of unusual media---notably mushroom spore prints, dung, and peat---as a source of color and patterns, which he might overlay with text or fingerprints, or underlay with maps or other geographic images. More recently, Drury has produced works associated with the body, working in residence with hospitals and incorporating echocardiogram data and blood into his art.
Chris Drury - Silent Spaces. Book
Map of An Englishman
His 'Map of an Englishman', is a map of his own brain, with the appearance of an island, it bears the vague resemblance to the two sides of the human brain. At first sight it appears to be a mock-Tudor etch, but place names reveal a world of confusion, surrounded by Schizophrenia, Psychopath, Delirium, Bipolar Disorder, Anorexia Nervosa ect... a large creepy forest is named Fear and his many Church's, castles, hills and houses bear the names of character traits. Divided into counties such Romance, Tender, Bitch, Guru Cliche. There are only limited areas bearing the names Normal Easy. Posh is a region where the place names express elements we attribute to the social class we call posh: Chardonnay, School Run and Yoga Bulemic. Posted by - Mary Allardyce
Wednesday, 4 March 2009
Xavier Cortada
"In 'The Reclamation Project,' I hung 252 mangrove seedlings (in plastic, water-filled cups) at the Bass Museum and worked with volunteers to place another 2500 across South Beach, 'reclaiming' an island that once a lush coastal ecosystem thriving with mangroves.
"In January 2007 I traveled to the South Pole ate site-specific installations: for 'The Longitudinal Installation,' I arranged 24 shoes in a circle around the South Pole as a proxy for those affected by global climate change in the world above.
"In 'The 150,000-year Journey,' I used a moving ice sheet to mark time: I planted a mangrove seedling at the South Pole, embedded in the ice it will ride for 150,000 years towards the waters edge where, theoretically, it will set its roots. Juxtaposing Antarctica's geological time frames with human time frames, my art reaffirms the notion that we are simply custodians of the planet who should learn to live in harmony with nature."
help !
i can view but not edit it? thanks
Tuesday, 3 March 2009
reflecting by nick
Murders
Richard Wentworth
I have found an artist who I thought creates the sort of photographs that I'm wanting to base my Outside the White Cube on; objects that belong to someone or belong inside that have been placed outside in an "un-natural" environment...basically objects that you wouldn't really see in this type of scenario; giving these objects a different meaning.
This artist is Richard Wentworth, and he describes his work better than I can, so here is a quote of his which I think best explains his photographs:
'I have always been very puzzled about the raw and the cooked. Am I sitting on a tree or is this assemblage of wood a chair? What draws me in is how things are convertible and how humans give meaning. There is something about mutability that I have always been attracted to. I mean, what is a television that is sitting on the roadside miles away from the electricity supply? Is it still a television? It's something to do with being dead yet alive. It's the small human acts that reach out to my way of seeing. Without someone being able to raise a brick and deposit the right amount of mortar then there would be no walls. That's all a wall is really - a lot of brick raising. A little human act multiplied. A half brick raised, though, can be a murder weapon.
My work is also attached to the limits of purposefulness. If something is discarded you can read that and see that it's been rejected. To me, there is something terribly beautiful in that. Formal things are incredibly important to me. I always see the crack in the glass before I see the window. I have always had this "sickness". I am interested in the aberrant.'
Wentworth
Katie =)
Dare I mention Banksy once again???
Since we were talking about surveillance today, I thought this work of Banksy's was appropriate for this topic...enjoy =D!
Katie =P
Monday, 2 March 2009
This urban creation was comissioned by Peterlee County Councill,the artist Victor Passmore ,wanted to build a walk in walk out ,a place to linger to think dream,play as he said "a free anonymous monument".
this was the idea .
However by the 1970s "sunny blunts"became certainley a place to loiter.it became a drug den,litter strewn everywhere,a no go area ,and being next to a lake it became covered in mould a real sodding eyesore.I love this building its been panned by locals and critics,they are now coming round to the idea and spending money on it!
blind man eating winkles
HE GRUBS FOR PURCHASE,
TUGGING FREE
THE FIRM TWIST OF MEAT
CHEWING IT
AS HE ROOTS OUT THE NEXT .
SPECKLED WITH THE RUST/BROWN
CIRCLES,TRANSLUCENT AS SCABS,
HE COULD SIT HERE FOREVER;
THE RUSTLE OF THE PAPER BAG,
THE SHELLS SCRAPING,THE RUMMAGE
THE SHUCK OF THE WAVES
POEM FROM A PANTED FIELD BY ROBIN ROBERTSON
Sunday, 1 March 2009
Oli Laruelle - Invisible Journeys
Each circular item represent the recording of wireless networks along one journey.
The time dimension starts reading from the right then goes clockwise along the main black thick line.
Each successful node recording influences the time line thickness and adds a “pin” onto it. Red pins represents non encrypted networks other networks are the smaller black ones.
More images of the ongoing process can be found on my flickr set"
An engraving of the Tudor-built bridge